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TEACHERS´ MATERIALS.

Please look at the extensive teachers materials for use in the classroom. They are a great tool to help prepare your students before seeing the play

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THE TAMING OF THE SHREW

The Taming of the Shrew (La Fierecilla Domada) is one of Shakespeare’s best loved comedies cleverly adapted for Spanish students of English by The Lingua-Arts Theatre Company. Our version takes a hilarious look at universal themes such as romance, relationships, jealousy and the BATTLE OF THE SEXES. Through the main characters of Katherina and Petruchio, Lingua-Arts’ invites audiences to contemplate which of the battling protagonists is the VICTOR and which is the VICTIM? Is it the man or the woman? Or, in this never-ending battle of the sexes, can there ever be any real winners or losers?

Sinopsis en castellano …

Nos encontramos en Padua, siglo XVII, donde la bella Bianca tiene muchos admiradores, todos ansiosos por casarse con ella. Sin embargo, su padre, el rico Baptista, prohíbe el matrimonio mientras no se case su hermana mayor, Katherina o Kate, una mujer con tan mal genio que ningún hombre se atreve a acercarse a ella. Por lo tanto, uno de los pretendientes de Bianca, Lucentio, ofrece dinero a un hombre que busca fortuna, Petruchio, para que se case con Kate, y así dejar el camino libre a su unión con la hermana menor. Petruchio acepta el reto, pero ¿será capaz de domar a la fierecilla de su ahora esposa?

Esta versión libre de la obra de Shakespeare dará mucho que hablar sobre el matrimonio y las relaciones hombre-mujer, tanto en la época de Shakespeare como en nuestros días. El inglés es el idioma principal, con una parte de la acción desarrollada en castellano. La puesta en escena ha sido especialmente enfocada a resaltar al máximo el significado del texto del Bardo, hábilmente adaptado para estudiantes de inglés.

 

 

The Story Padua – 17th century. The play opens with a fight(1) between two sisters, Kate and Bianca. Kate is jealous(2) of her younger sister’s many suitors, but as she’s a violent woman, men are afraid to ask for Kate’s hand(3). Baptista, their father, is desperate to find husbands for his daughters, but according to the local laws(4), he cannot permit Bianca to marry until the older sister finds a husband first.

Baptista insists that Bianca be taught at home by private teachers. So two suitors, Gremio and Lucentio, disguise themselves as “teachers” in order to to court(5) her in secret. Lucentio and Bianca fall in love but Lucentio is afraid that Baptista will not approve(6) of him as he is not very rich. He has a plan: he asks his servant, Tranio, to take his place(7) and, pretending to be rich, to ask for Baptista for Bianca’s hand in marriage. That way, he can find time to woo(8) Bianca in secret, and then marry her, also in secret.

Meanwhile, Petruchio arrives in Padua to look for a rich wife. Hortensio, another of Bianca’s suitors, has an idea: if Petruchio marries Kate, then he will be free to court Bianca. And so he introduces Petruchio to Baptista who is very happy to find a husband for Kate. They meet and Kate is immediately rude and aggressive to Petruchio. However, he is still determined(9) to marry her. He thinks of a plan to tame(10) the shrew. Kate now finds herself engaged(11) to man she hates.

It is the day of Kate and Petruchio’s wedding(12). Petruchio not only arrives late, he is also drunk(13) and dressed ridiculously. After the ceremony, Petruchio demands they leave immediately for Verona where he continues with his plan to tame his wife. For days, Petruchio forbids(14) Kate to eat or sleep, and demonstrates to Kate that he can behave(15) just as badly, if not worse(16), than his shrewish wife.

Now that Kate is married, Baptista can find a husband for Bianca. He meets Tranio (disguised as Lucentio) and, believing “Tranio/Lucentio” to be a rich, agrees to the union. But he doesn’t know that Bianca and Lucentio are already - unofficially and secretly - married.

Petruchio continues to starve(17) Kate of food. Then they’re invited to the ‘official’ wedding of her sister. For the occasion, Petruchio buys Kate a new dress, but then he destroys it before she can wear it. Soon after, Kate realises(18) that her husband is playing a game with her, and so she also decides to “play” with him.

Lucentio’s father pays a surprise visit to his son in Padua, which uncovers(19) the true identity of Tranio and the lies(20) told by Lucentio.
Now that Lucentio and Bianca’s marriage is no longer secret, they decide to hold a banquet. It is here that Lucentio and Petruchio have a bet(21) on which of their wives is more obedient. Surprisingly, Kate reveals a drastic change in behaviour: she has become an obedient wife and professes her love to her husband. Bianca, however, shows that she is not the modest and obedient girl that she wanted everyone to believe.
But has Kate really changed? Or do she and Petruchio share a secret together in order to play a joke(22) on Bianca and Lucentio?

VOCABULARY  

01. fight = pelea
02. jealous = celosa
03. to ask for someone’s hand = pedir la mano (en matrimonio)
04. laws = leyes
05. to court = cortejar
06. to approve = aprobar
07. to take his place = ocupar su lugar
08. to woo = cortejar (otra palabra: to court)
09. determined = decidido, resuelto
10. to tame = domar
11. engaged = prometida
12. wedding = boda
13. drunk = borracho
14. to forbid = prohibir
15. to behave = comportarse
16. worse = peor
17. to starve = privar de comida
18. to realise= darse cuenta
19. to uncover = destapar, revelar
20. lies = mentiras
21. to have a bet= a`postar
22. to play a joke = gastar una broma

 

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Baptista is a very wealthy gentleman of Padua. He has two daughters, Kate and Bianca. His main goal is to marry his two daughters to wealthy men. Unfortunately, his elder daughter, a well-known shrew in Padua, is very unpopular among the men because of her violent and rude nature.
Kate (also known as Katherina and Katherine) is the Baptista’s oldest daughter and sister to Bianca. Kate is the SHREW. She is extremely intelligent but has a difficult nature and will not conform to the image of how a young lady should behave.
Bianca is Baptista’s favourite daughter and younger sister to Kate. She is modest, sweet and docile. Everyone loves her and Kate is jealous of the attention she receives. Bianca has many suitors who want to marry her.

Petruchio, a gentleman from Verona, is a very clever and high-spirited man. He has come to Padua to find a wife, and if she is wealthy, then all the better. Petruchio is the only man who has the courage to court the shrew.

Grumio is Petruchio’s servant.
Gremio is a neighbour to Baptista and is one of Bianca’s many suitors. He decides to disguise himself as a teacher of music (calling himself Litio) so that he can spend time with Bianca in private.
Hortensio is a very old and very rich man and yet another of Bianca’s suitors. He is also a friend of Petruchio’s.
Lucentio, a young gentleman from Pisa, falls in love with Bianca at first sight. He also disguises himself as a teacher of Latin (called Cambio) so that he can also spend time with his Bianca in private.
Tranio is both servant and friend to Lucentio. Tranio takes on his master’s identity in order to give Lucentio time to court Bianca in secret.
g Vincentio is Lucentio’s father. He arrives in Padua to visit his son, but discovers that Tranio is pretending to be Lucentio and that an actor is pretending to be himself!
g The Actor is paid by Tranio to pretend to be Vincentia. Tranio does this to help convince Baptista that he is wealthy.

 

 
 






NOTES FOR TEACHERS

 

AN EXTRACT

 

This famous play is essentially a COMEDY, which in Shakespearian terms means that it has a happy ending. However, The Taming of the Shrew is also is also a very funny play in 21st century terms. To make it more entertaining for your students, Lingua-Arts includes as much VISUAL COMEDY as possible to help bring out the main themes: RELATIONSHIPS + MARRIAGE / SOCIAL ROLES / APPEARANCES + DISGUISE / POWER + DOMINATION

Marriage and Social Roles
It is important to point out to your students how the nature of romance in Shakespeare’s day differs from romance in modern times. As a romantic comedy, The Taming of the Shrew focuses on relationships as they develop from initial interest into marriage. Here, inner romantic emotions are less important; instead, this play emphasizes the economic aspects and the importance of social roles in marriage. Marriage is mainly a TRANSACTION, a transfer of money. What is more, one should only marry a person from the correct social status. Much of the HUMOUR arises from the CONFLICT created when several characters, especially KATE, do not accept this situation.

Power and Domination

PETRUCHIO must use his power to TAME his uncontrollable and anti-social wife, KATE, who refuses to accept the marriage. He cleverly manipulates the SHREW to try to make her behave as a “lady” should and to take her proper place in society. There is a lot of comedy when Kate resists his attempts to dominate her. However, by the end of the play she changes drastically. Is she simply tired or does she really become a mild-mannered, obedient wife? Or is there another reason? Encourage your students to think about it for themselves.

At the beginning of the play, Kate’s sister BIANCA seems to the “perfect” wife for 17th century Italy: sweet, docile and obedient. But we also see a drastic change. She marries LUCENTIO, but he is totally shocked when his “sweet” wife” unexpectedly turns into an angry shrew. (fierecilla)…

• Disguise and Appearances

This is a common theme in Shakespeare’s plays. People are often not what they APPEAR to be. Bianca is not the sweet creature we thought she was. LUCENTIO and GREMIO must disguise themselves in order to be near Bianca. LUCENTIO also pretends to be extremely rich so he can ask for Bianca’s hand. PETRUCHIO pretends to be cruel in order to tame Kate, etc… There are many more disguises in the play, along with a number of mistaken identities, which all help build the COMEDY. Generally the characters use these disguises, tricks and deceit to try to improve their position in society by gaining riches or status.

NOT THE TYPICAL SHAKESPEARE ENDING

Unlike other Shakespeare romantic comedies, this play does not end typically with the “wedding”. Rather, it examines the future lives of the married couples. Life does not stop when the ring is placed on the finger. How soon will these disguises disappear before true natures are revealed?

BILINGUALISM

As much of the English is from the original text, we have included some Spanish to help students follow the story. Many of the characters speak both English and Spanish. When they speak Spanish, they speak directly to the audience, telling the spectators exactly what is on their minds. As such, Lingua-Arts achieves a double objective: one, the characters gain the audience’s trust and support, and two; the students’ understanding of the storyline is greatly enhanced. Nonetheless, around 75% to 80% of the play is in English.

 

TEACHERS’ MATERIALS.

Please look at the extensive teachers materials for use in the classroom. They are a great tool to help prepare your students before seeing the play (and for use AFTER seeing it). Read More

 


Una escena de The Taming of the Shrew
...

Petruchio and Kate are now married, but he continues to treat her badly to try to tame(1) his aggressive wife. In this scene, Petruchio tells Kate he’s received an invitation for her sister’s wedding and has bought her new clothes for the occasion. But Kate is soon to be disappointed...

PETRUCHIO: Your father sent a letter bidding us attend you sister’s wedding…
I trust the robes(2) that I have bought please you.
Grumio, bring forth my lady’s cap(3) and gown.

GRUMIO: Here is the cap your lordship did request.

KATE: It is lovely…

PETRUCHIO: A baby’s cap. Fie, fie, ‘tis lewd and filthy(4).

KATE: But gentlewomen wear such caps as these.

PETRUCHIO: When you are gentle(5), you shall have one too.

KATE: May I speak, sir? I like the cap well,
And it I will have, or I will have none.

PETRUCHIO: Then none shall you have. (to Grumio) Here, model this for us. Come on, come on!
(Grumio puts on a dress) What think you, Katherine, of this silk robe?

KATE: I never saw a better-fashioned gown.

PETRUCHIO: O mercy God, what masquing stuff is this?
What’s this? A sleeve? (he rips it off) ‘Tis made of paper stuff.
And this sleeve, fabricated out of air.
Its skirt(6) is worse. Where is the silk(7) I ordered?
This fashion is not fit for Kate to wear.

GRUMIO: (to audience) Veo que no va a tener ni el gorro, ni el vestido.

PETRUCHIO: Well, come my dear, we will unto your father’s
Even in these honest, poor, old garments(8).
For ‘tis the mind that makes us rich, you know;
Not fine clothes. Come, make ready to depart.

to tame = domar
robes = ropa, prendas
cap and gown = gorro y vestido
filthy = asqueroso
gentle = dulce, suave (de carácter)
skirt = falda
silk = seda
garments = ropa

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